I will preface this post by admitting honestly that some of this man's work was well done and interesting. He has a nice technique with most things and above all, he knows how to keep his name on the hit list. That being said, Shepard Fairey is a raging poser. He's a hack who uses the fickle liberal mob mentality to feather his nest and fuel his larger-than-life ego. His latest offering shows us that not only is he a shameless opportunist (something his audience should shun) but he's run out of ideas.
The Occupy Wall Street movement is no stranger to slogans and provocative imagery. Their crass posters, oftentimes confusing and nonsensical, are inescapable. They've adopted the Guy Fawkes mask from "V for Vendetta" as their stand against 'oppression' and trot it out as often as possible. Shepard Fairy saw an opening and he took it with this boring and predictable recycle of his insipid Obama 'Hope' poster.
This 'humble' street artist (as he continues to be called though he's no longer either) had done a different poster for OWS, something a little less forward, less recognizable. I suppose that's why the new one came about; the first one didn't get enough attention. In this article, he's called a 'west coast legend' and let's face it, a man with a head that big wasn't about to let the cash-cow and hero worship of OWS pass him by.
As I said before, he's not completely devoid of talent, but as a graphic artist myself, I know what goes into the things he does. I know what kind of work is involved and I know how easy it is to recycle. When the first poster (something predictable but not awful) didn't get the buzz he wanted, he opened an old file he had floating around on his expensive computer and did some editing. He kept the colors and the technique, just changed out a few things and added some words. He even kept the Obama 'O' in much the same fashion, just added some hackneyed 99% mumbo-jumbo. This Guy Fawkes incarnation of his easily and oft-imitated red and blue poster wasn't much work for him at all and yet the adoring art community and OWS roll out their tongues for him like a red carpet.
It's easy to think the road to artistic success lies on the open range of propaganda. Propaganda is a frightening mistress. The communists and socialists use art as a cog in the machine of oppression so it's not surprise Mr. Fairey seems eager to let himself be exploited. This piece from Big Hollywood in 2009 about former NEA Director of Communications Yosi Sergant sheds a light on just how far this administration and its champions are willing to go to get what they want. When you can't sway the people with facts and mere words, use an eye-catching image and slogan.
It's no sin to express your beliefs in any form at your disposal. It's fine to share those beliefs with others. But there's a fine line between expression and exploitation. Mr. Fairey isn't a victim and I would guess his desire for fame and fortune slightly outweighs his need to 'speak for the common man'. This latest move shows desperation. He, like many adamant Obama supporters, have seen their star brighten and fizzle. This revisit of his Hope poster is a return to a time of prosperity for him, a time when he was a hero. Fairey is a well-known 'art vigilante' and I suppose he always will be in some circles, but the 15 minutes of fame may be over and not a moment too soon.
The Occupy Wall Street movement is no stranger to slogans and provocative imagery. Their crass posters, oftentimes confusing and nonsensical, are inescapable. They've adopted the Guy Fawkes mask from "V for Vendetta" as their stand against 'oppression' and trot it out as often as possible. Shepard Fairy saw an opening and he took it with this boring and predictable recycle of his insipid Obama 'Hope' poster.
This 'humble' street artist (as he continues to be called though he's no longer either) had done a different poster for OWS, something a little less forward, less recognizable. I suppose that's why the new one came about; the first one didn't get enough attention. In this article, he's called a 'west coast legend' and let's face it, a man with a head that big wasn't about to let the cash-cow and hero worship of OWS pass him by.
As I said before, he's not completely devoid of talent, but as a graphic artist myself, I know what goes into the things he does. I know what kind of work is involved and I know how easy it is to recycle. When the first poster (something predictable but not awful) didn't get the buzz he wanted, he opened an old file he had floating around on his expensive computer and did some editing. He kept the colors and the technique, just changed out a few things and added some words. He even kept the Obama 'O' in much the same fashion, just added some hackneyed 99% mumbo-jumbo. This Guy Fawkes incarnation of his easily and oft-imitated red and blue poster wasn't much work for him at all and yet the adoring art community and OWS roll out their tongues for him like a red carpet.
It's easy to think the road to artistic success lies on the open range of propaganda. Propaganda is a frightening mistress. The communists and socialists use art as a cog in the machine of oppression so it's not surprise Mr. Fairey seems eager to let himself be exploited. This piece from Big Hollywood in 2009 about former NEA Director of Communications Yosi Sergant sheds a light on just how far this administration and its champions are willing to go to get what they want. When you can't sway the people with facts and mere words, use an eye-catching image and slogan.
It's no sin to express your beliefs in any form at your disposal. It's fine to share those beliefs with others. But there's a fine line between expression and exploitation. Mr. Fairey isn't a victim and I would guess his desire for fame and fortune slightly outweighs his need to 'speak for the common man'. This latest move shows desperation. He, like many adamant Obama supporters, have seen their star brighten and fizzle. This revisit of his Hope poster is a return to a time of prosperity for him, a time when he was a hero. Fairey is a well-known 'art vigilante' and I suppose he always will be in some circles, but the 15 minutes of fame may be over and not a moment too soon.
